It’s been a hard decade and a half for Quentin Tarantino fans. There’s no director in recent memory who has come out swinging the way he did, with a one-two punch of Reservoir Dogs and Pulp Fiction… who then spent fifteen years whipping out self-indulgent loads like a partially pithed chimp in a cage.
You earned yourself a lot of goodwill after Pulp Fiction, Quentin, so we were a patient lot. We paid to go see the quickie dumpoffs of your earlier, unproduced scripts that Hollywood cranked out to cash in your your name… and we even ignored the glaring and obvious reasons why the studios passed on them before your were famous. We went to the theater like art fans entering a gallery hoping to see a little early Picasso and instead getting a Mapplethorpe exhibit, and finding yourself settling for a dick in the ass.
We paid to see True Romance, Or: Hey! What If A Hot Girl Liked Me Because I Was A Geek, And What If Something Interestsing Happened On The Way Home From My Tedious Genre-Retailing Gig!. We even sat through Natural Born Killers, Or: Hey! What If Charles Starkweather And Caril Ann Fugate Were Born In 1965, Were Marginally Attractive And Mildly Retarded? Natural Born Killers was so bad Rodney Dangerfield immediately tried to rehabilitate his reputation after playing a pederast in it by starring in Meet Wally Sparks and dying.